The law professor isn't alone. Here are three grafs from Thomas Kunkel's column in the November 2001 issue of the American Journalism Review: ------------ Recently I was a judge in the national writing contest sponsored by the American Association of Sunday and Features Editors, which I am pleased to say is affiliated with Maryland. Our group was judging entries not from the nation's largest papers but from the next circulation tier, mostly regional metros. In other words, the work was fairly representative of mainstream newspapering today. <p>There were of course some riveting pieces, and the standouts collected their hardware at the AASFE convention last month. Mostly, though, the hundreds of entries were just...bland. They weren't bad, they weren't irrelevant, they weren't (entirely) uninteresting. They simply weren't anything special. They were stories without strong narratives or writerly voices, cranked out in the competent, bloodless way that I'll call American Newspaper English--the literary equivalent of Wonder Bread. It is especially troubling that dozens of reasonably experienced writers, and presumably their editors, thought this was contest-worthy work. <p>I have long maintained that one of the unintended consequences of our post-Watergate crusade for "fairness" has been a deadening of language in newspapers, as trigger-happy editors zap any words that might smack of taking sides. The decline of competition has contributed, too; a monopoly paper doesn't need its own personality to distinguish it from anyone else. The result has been a flattening and homogenizing of individual voices. That's why in an age when the education, professionalism and reporting abilities of the nation's press corps have never been higher, the writing has never been duller.<p>[ April 19, 2003: Message edited by: Todd J. Behme ]<p>[ April 19, 2003: Message edited by: Todd J. Behme ]<p>[ April 19, 2003: Message edited by: Todd J. Behme ]</p>
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