The impact of Mr. Cliburn’s victory was further enhanced by a series of vivid articles written for The New York Times by Max Frankel, then a foreign correspondent based in Moscow and later an executive editor of the paper. The reports of Mr. Cliburn’s progress — prevailing during the early rounds, making it to the finals and becoming the darling of the Russian people, who embraced him in the streets and flooded him with fan mail and flowers — created national anticipation as he went into the finals.

In his 1999 memoir, “The Times of My Life and My Life With The Times,” Mr. Frankel recalled his coverage of Mr. Cliburn’s triumph in Moscow: “The Soviet public celebrated Cliburn not only for his artistry but for his nationality; affection for him was a safe expression of affection for America. My account of his rapturous reception landed on the front page of The Times two days before the pianist was crowned the contest winner because I posed the obvious question of whether the Soviet authorities would let an American beat out the finest Russian contestants. We now know that Khrushchev” — Nikita S. Khrushchev, the Soviet premier — “personally approved Cliburn’s victory, making Van a hero at home and a symbol of a new maturity in relations between the two societies.”